Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts

Sunday, January 3, 2021

THE TWELVE (IF ONLY THERE WERE THAT FEW!) (DAMNED!) EAR WORMS OF CHRISTMAS

 

Every year (and ever earlier it seems) we are treated (there's a misnomer if ever there was one!) to Christmas music and Christmas muzak (there is a difference) for weeks on end. When I was a boy, back when dinosaurs roamed the earth, the songs started on the day after Thanksgiving which we now know as "Black Friday", a term that previously had been reserved for describing the two worst stock market crashes in United States history. Today that Friday post Thanksgiving is defined by lunatic bargain hunters trampling and fighting one another for "hot items" which are laid out in retail stores in a planned, artificial scarcity. And as the consumers commit mayhem on one another lovely music plays about them to put them in the "true Christmas spirit®". Since we are actually still in the Christmas season, the 12 days that begin with Christmas Day, December 25th, and end on the Feast of the Epiphany, January 6th, I want to take up the subject of that music/muzak for a final curmudgeonly shot at the season. 

The following are a more than Baker's dozen songs that are those of which I've heard far more than enough for any lifetime. For a more comprehensive and, as if that were possible, more curmudgeonly view of Christmas music/muzak I suggest that you run through Washington Post columnist, Alexandra Petri's dish on the songs. Here beginneth my list from moderately offensive to AaaaRRRRRGGGG!...

12d. Rudolph the Red Nosed Reindeer: As a very young boy I had Gene Autry's recording of this classic. It was always too cute by half and over the last 70 odd years it's been done to death. The song is the fantasy of every child who's a little bit different and is, therefore, bullied and excluded from every "reindeer game" and social activity under the sun. So Rudolph gets his moment of glory but we know how this goes. A day or two after Rudolph goes down in history the other reindeer start with things like, "Isn't red the color of TAIL lights?" "Yeah! I wonder how fast Rudolph the TAIL light could go if we lit one of his farts?" "Yeah! Rudolph the 'jet pack' TAIL light!" Rudolph with your nose so bright, I'm sorry, kid, but we're done.

12c. Grandma Got Run Over by a Reindeer: Keeping with a reindeer theme, I am one of the last people to criticize satire and black humor but after 1 single hearing this song deserves the trash bin. If it weren't for the reindeer this song would be much higher on the list of horribles.

12b. Up on the Housetop: More damned reindeer! Enough already!

12a. It's Beginning to Look a Lot Like Christmas: This song come to us from Meredith Wilson's final Broadway venture and only flop, a stage musical version of Miracle on 34th Street. It actually looks a lot like Christmas as early as Halloween these days and for all the modest charm of the song, stuff it!

12. We Need a Little Christmas: This song comes from the Broadway musical Mame and the film version that starred a nearly embalmed Lucille Ball. It figures in the story as a plea in summer to brush away depression by getting out the Christmas decorations 6 months early. Since the day after Thanksgiving is already too early we have far too much of Christmas so we'll need none of this song.

11. I'm Gettin' Nuttin' for Christmas: a nascent sociopath complains that he's not getting any Christmas presents because he's been a jerk all year. If there were justice in the world he would get juvenile detention and never be elected the 45th President of the United States. Tough shit kid and shut up about it.

10. Do You Hear What I Hear?: How could you not? Bing Crosby gave it his best shot but this song has lousy lyrics and a faux religiosity that is beyond the faux inherent in religiosity. I never want to hear it again.

9. Santa Baby: This is no reflection on Ertha Kitt who, as Eddie Murphy wisely pointed out, was hot and sexy will into old age, but it's been done to death. This song is a vibrator with dead batteries.

8. Rockin' 'Round the Christmas Tree: the day someone makes a truly plausible explanation of what "the good, old fashioned way" is, I will move this song up a couple of notches but it still sucks.

7. Blue Christmas: O. k. I will bring down some real wrath upon my head by saying that I never thought much of Elvis. He was a poor white boy who could sing and made it viable for white kids to like the blues and rock that had been segregated into the black ghettos for decades. Can you say, "cultural appropriation"? This isn't good blues and it's not a good Christmas song.

6. The Little Drummer Boy: after 1 verse, let alone the whole interminable treacly, religiose song I want to take his drum sticks and ram them up his pa-rum-pa-pum-pum so hard he'll walk funny for the rest of his life. This song makes it to 6 simply because there a 5 worse, not because it has anything to recommend it.

5. Holly, Jolly Christmas: when I was a very little boy one of my favorite records was of Burl Ives singing about that "Little Green Frog, sittin' in the water". I liked Burl Ives. It wasn't until much later that I learned that to save his own career he'd thrown Woody Guthrie, Pete Seeger, Ronnie Gilbert and Lee Hays under the HUAC bus. That tarnished Ives for me forever. However, apart from that this is just an awful song.

4. The Hawaiian Christmas Song: this song deserves to be stuffed and stuffed hard up your Mele Kalikimaka and never removed.

3. Silver Bells: It was Christmas, 1975. I had 1 single day in which to do all of my shopping, food, presents, everything. In addition I had to drive, in a sleet storm, from Waterbury, Connecticut to New Haven (good toy store) to Windsor Locks (meaning from the extreme south of the state to the extreme north) for work on what was supposed to be my day off and back to Waterbury again. The moment I entered any store, building, bathroom or phone booth this song began playing. It became the theme for a hectic and fraught Christmas and a trigger for a very mild case of PTSD from that day. I absolutely HATE this song.

2. The Chipmunks Christmas Song: this song makes me want to torture small woodland creatures because it is utter torture to hear and I generally like small woodland creatures. Call the taxidermist because I want Alvin's little head mounted on my wall encircled by a tiny hula-hoop. 

1. The Most Wonderful Time of the Year: it isn't. There is little more to say. This song with its relentless, pell-mell rush and thumping, strained positivity just calls for strangulation of anyone who sings or plays a recording of it. That it can beat out the Chipmunks for worst Christmas song of all time is a superlative that beggars the imagination.  Or as that great philosopher to whom Berkeley Breathed introduced me long ago, Bill the Cat would say, "Gack!"

Let's be honest here. The birth of Jesus of Nazareth was not "in the bleak mid-winter". Christmas is the Christianized Roman Saturnalia. It is a celebration of the slow but inexorable return of the light so nearly extinguished at the winter solstice. It is the faint but growing sense that spring and new life will conquer the deadly cold and white of winter. That alone, without any saviors' births, is worthy of feasting and celebration yet it is further made sublime by the addition of a birth. I do not believe in anything supernatural but I do believe in the sublime, that in the presence of which Vladimir Nabokov wrote, makes the small hairs at the back of our necks stand up. I attended the birth of my 3 daughters and can say unequivocally that there are few things as sublime as a newborn child, small, wrinkled, crying and a manifest piece of all the power and potential of the entire universe. The birth of any child, every child and, as the ancients would have it, the birth of the sun link together in what we call Christmas. That, in itself, is great cause for celebration and feasting and for raising our voices in song.

Lest I be claimed as a soldier in the phony "War on Christmas" let me say that I adore some Christmas songs. Good King Wenceslaus, God Rest Ye Merry, Gentlemen, and the 3 World War II Christmas songs that have made it into the canon, I'll be Home for Christmas, White Christmas and (only as Judy Garland sang it in Meet Me in St. Louis) Have Yourself a Merry Little Christmas.

I eschew all shining stars upon the highest boughs but wish you all to have or have had a merry little Christmas now.

Wednesday, December 26, 2007

Do You Know Santa Claus?

It's been a while, hasn't it?

Computer problems. Other problems. Life sometimes intervenes to inhibit blogging though it really should be the other way around.

In any case, I have survived another Christmas Season. The enforced "joy" of this "most wonderful time of the year" is a little hard to take even when you have some reasons to be joyful. Christmas music is one of the harder things to take. It is ubiquitous. It is incessant. It is worse than elevator music in that many of the tunes are vicious ear-worms that eat away at your brain. Now, please don't misunderstand. I like some Christmas music. The minor key O, Little Town of Bethlehem, has an ominousness that makes it stand out amongst carols. My personal favorite is Good King Wenceslaus with its message of decency and generosity:

So, you Christian men be sure,
Wealth or rank possessing,
Which of you would bless the poor,
Shall himself find blessing.

I'm also partial to God Rest Ye, Merry Gentlemen.

Among Christmas songs, there are 3 from the years of World War II that are special favorites. All speak of longing for something past and only tentatively possible in the future. The best known is, of course, Irving Berlin's White Christmas. In it the quiet, white world under its glistening blanket of snow is a dream of the past as it must have been for a lot of servicemen when it was written. Similarly, I'll Be Home For Christmas is filled with the ache of longing. Yet I find the most moving to be Have Yourself A Merry Little Christmas.

The song was introduced by Judy Garland in the 1944 film Meet Me In St. Louis. The song originates in 1943 and was so depressing that Garland demanded revisions. According to the Wikipedia entry, the song opened thus:

Have yourself a merry little Christmas.
It may be your last.
Next year we all may be living in the past.

and continued:

Faithful friends who were dear to us,
Will be near to us,
No more.

While those thoughts certainly were in the minds of many a person as the fourth year of war and second since America's entry into it concluded, they don't represent anything up-lifting. Hugh Martin, at Garland's urging changed the lyrics to a form only partially familiar today.

Have yourself a merry little Christmas.
Let your heart be light.
'Til next year our troubles will be out of sight.

Have yourself a merry little Christmas.
Make the Yuletide gay.
'Til next year our troubles will be miles away.

Here we are as in olden days,
Happy golden days
Of yore.

Faithful friends who are dear to us,
Gather near to us,
Once more.

Through the years we all will be together, if the fates allow.
Until then we'll have to muddle through some how,
So have yourself a merry little Christmas now.

Loss and a very conditional hope for the future suffuse the song and make it all the more poignant when we consider its historical context. The final injunction retains the feeling that one must sieze this opportunity for a merry little Christmas because there may not be another. I don't mean to be so sober and depressing, but it is an achingly beautiful song even in the more up-beat and familiar Frank Sinatra version. Still, to return to my original point, there are some Christmas songs that need to be quietly and permanently retired. The dogs barking Jingle Bells is certainly the one that only the person making royalties from its play could love but the Chipmunks Christmas song needs to be buried very deep right next to those barking dogs.

But enough of the cynicism! How was my Christmas? Not so bad.

My friend, Anna, and I shared Christmas dinner with her soon-to-be 91-year old mother at the assisted living facility where Emma Catherine lives. We had a very good institutional meal which was punctuated with the poor enunciation of one of the servers. You see, the meal offered a choice of roast beef or roast turkey or both. Probably because of the two kinds of meat there were two kinds of potatoes, baked and mashed. The woman serving the side dishes asked each personoming through the line, "Mashed or baked?" She didn't enunciate clearly, however, and tended to elide and run her words together. So I'd barely begun eating when I thought I heard her say, "Masterbate?" "No. She can't have said that," I thought. Then I heard it again. A moment or two of processing and I realized that she was saying, "Masht er bak'd" Anna had heard it the same way I had so we had to explain it to her mom, adding that it was a good thing that the server hadn't any comments about plucking the turkey.

But the sort of high point for me came on Saturday, the 22nd. I was working as a cashier in the local arts association's Christmas store. A couple came up to my register with their little girl who was probably about 4 or 5. While I was ringing up their purchases the girl asked me, "Do you know Santa Claus?"

"Yes. I know him a little."

"I'm kind of afraid of him."

"Well, you don't need to be. He's o. k. Besides, did you ever think that Santa might be a little afraid of you?"

It took a second or two but her face screwed up and she began to cry. I felt terrible. I said, "He might be afraid that you wouldn't like him." That got her thinking and the tears went away as quickly as they'd started. Her parents understood and I think she might have left a little less afraid of Santa Claus. I hope so.

In any case, as cynical as I am about the commercialization of this season and the enforced conviviality that gives us some license for viciousness for the other 46 weeks of the year I do know Santa Claus a little and wish you all "a merry little Christmas".